
The Story Behind The Weirdness.
By day, I work with individuals who are fighting to reclaim independence. real people navigating real challenges. That work keeps me grounded. It reminds me that creativity isn't just decoration; it's a tool for building possibility.
By night, I'm in the tiny shop here in Pocatello, surrounded by salvaged electronics, precision tools, leather scraps, resin molds, and the hum of machines that shouldn't still be alive. This is where SchismaT1k exists in the collision between what's practical and what's beautifully strange.

I’m a maker obsessed with the intersection of technology and craft. My practice spans 3D printing, multi‑process graphic design and application, laser fabrication, leatherwork, urban mining, and whatever other skill I’ve scavenged along the way. Every piece I create is an experiment, A question about what’s possible when you treat tools, machines, and materials as collaborators instead of shortcuts.The result is high‑end weirdness: items that carry an artistic vibe, serve a purpose, spark conversation, and challenge expectations. Some pieces begin as photographs taken in the shop, transformed through digital processes into neon‑soaked cyberpunk visuals. Others start as discarded tech, rebuilt into functional art with new identity and new purpose. Some are quiet, hand‑finished jewelry pieces. Others are loud, glowing, unapologetically strange artifacts.
SchismaT1k is the place where all of that converges the physical, the digital, the salvaged, the crafted, the imagined, the impossible.
It’s where technology meets the artisan’s soul.
It’s where molds are broken and the future gets made.

COMING SOON
Step into the phygital with Element 5 Isotropic Measures. Element 5 combines the classic features of a tabletop RPG with available technologies to offer an immersive game play experience. Whether you're playing with friends in person on game night or playing online, the fusion of physical and digital (Phygital) play offers a unique and entertaining experience everytime.











































































